Diese Aufnahme von Haydns Meisterwerk "Die Schöpfung" ist ein Muss für jeden klassischen Musikliebhaber. Die Warner Classics-Veröffentlichung aus dem Jahr 2006 präsentiert die gesamte Partitur in all ihrer Pracht, mit 34 Nummern, die die Geschichte der Erschaffung der Welt erzählen. Von der "Darstellung des Chaos" bis zum triumphalen "Singt dem Herrn", führt uns Haydns Meisterwerk durch die biblische Geschichte der Schöpfung.
Die Aufnahme umfasst auch Haydns "Missa in tempore belli" (Paukenmesse), ein weiteres Meisterwerk des Komponisten, das die Zuhörer mit seiner Schönheit und Tiefe beeindruckt. Die Kombination aus "Die Schöpfung" und "Missa in tempore belli" macht diese Aufnahme zu einem unvergleichlichen Hörerlebnis.
Mit einer Spielzeit von 2 Stunden und 34 Minuten bietet diese Aufnahme eine umfassende und detaillierte Darstellung von Haydns Werk. Die Klassizität und die Kammermusik-Elemente machen diese Aufnahme zu einem wahren Schatz für jeden, der klassische Musik liebt. Die Aufnahme ist ein Zeugnis für die Meisterschaft von Haydn und die Fähigkeit der Künstler, seine Musik zu interpretieren und zu präsentieren.
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1a, The Representation of ChaosJoseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1b, Recitatives and Chorus. "In the Beginning" (Raphael, Chorus, Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 2, Air and Chorus. "Now Vanish Before the Holy Beams" (Uriel, Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 3, Recitative. "And God Made the Firmament" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 4, Solo with Chorus. "The Marv'llous Work Behold Amazed" (Gabriel, Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 5, Recitative. "And God Said, Let the Waters" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 6, Air. "Rolling in Foaming Billows" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 7, Recitative. "And God Said, Let the Earth" (Gabriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 8, Air. "With Verdure Clad" (Gabriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 9, Recitative. "And the Heavenly Host" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 10, Chorus. "Awake the Harp" (Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 11, Recitative. "And God Said, Let There Be Lights" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 12, Recitative. "In Splendour Bright" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 13, Trio and Chorus. "The Heavens Are Telling" (Chorus, Gabriel, Uriel, Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 14, Recitative. "And God Said, Let the Waters" (Gabriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 15, Air. "On Mighty Pens Uplifted" (Gabriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 16, Recitative. "And God Created Great Whales" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 17, Recitative. "And the Angels" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 18, Trio. "Most Beautiful Appear" (Gabriel, Uriel, Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 19, Trio and Chorus. "The Lord Is Great" (Gabriel, Uriel, Raphael, Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 20, Recitative. "And God Said, Let the Earth" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 21, Recitative. "Straight opening her fertile womb" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 22, Air. "Now Heaven in Fullest Glory Shone" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 23, Recitative. "And God Created Man" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 24, Air. "In Native Worth" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 25, Recitative. "And God Saw Everything" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 26, Chorus. "Achieved Is the Glorious Work" (Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 27, Trio. "On Thee Each Living Soul Awaits" (Gabriel, Uriel, Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 28, Chorus. "Achieved Is the Glorious Work" (Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 29, Recitative. "In Rosy Mantle Appears" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 30, Duet with Chorus. "By Thee With Bliss" (Eve, Adam, Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 31, Recitative. "Our Duty we Have Now Performed" (Adam, Eve)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 32, Duet. "Graceful Consort" (Adam, Eve)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 33, Recitative. "O Happy Pair!" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 34, Chorus with Soli. "Sing the Lord" (Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
Haydn: Insanae et vanae curae, Hob XX:1/13c (After Il ritorno di Tobia, Hob. Ia:2)Joseph Haydn, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, Sir David Willcocks
Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": KyrieJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": GloriaJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": Qui tollisJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": QuoniamJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": CredoJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": Credo. Et incarnatusJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": Credo. Et resurrexitJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": Credo. Et vitamJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": SanctusJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": BenedictusJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": Agnus DeiJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": Dona nobisJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
Franz Joseph Haydn, geboren am 31. März 1732 in Rohrau, Österreich, ist einer der einflussreichsten Komponisten der Wiener Klassik und wird oft als „Vater der Sinfonie“ und „Vater des Streichquartetts“ bezeichnet. Mit seinem unverkennbaren Humor und seiner liebenswerten Persönlichkeit prägte Haydn die Musikwelt nachhaltig. Seine Werke, darunter zahlreiche Sinfonien und Klaviersonaten, zeugen von seiner Genialität und seinem innovativen Geist. Haydn arbeitete als Kapellmeister an verschiedenen Fürstenhöfen, darunter 30 Jahre im Hause Esterházy, und trug maßgeblich zur Entwicklung der klassischen Musik bei. Seine Musik, die von Optimismus und Großzügigkeit durchzogen ist, bleibt bis heute populär und einflussreich.
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